By Matthew Moorcroft Unsure In true DC fashion, Supergirl is a bit of a strange oddity. You would think that years after the fact that DC Studios, having seen first hand the implosion of the original DCEU and the general healthy skepticism towards new superhero fare that general audiences have maintained post-Endgame, would learn from…
By Matthew Moorcroft Highest Recommendation Like all of the nigh-perfect entries in the series that came before it, Toy Story 5 plays as equally if not more to the adults in the audience as it does the children it’s supposedly aimed. In the case of prior films, those extended to it’s existential questions about the…
By Matthew Moorcroft CONTENT WARNING: This editorial discusses themes of suicide and trans dysphoria. In the 1983 body horror classic Videodrome, our lead character Max Renn, the CEO of TV station, continually finds himself being transformed and morphed into a being that is not himself. Starting with the psychological, with him slowly but surely having…
By Matthew Moorcroft Strong Recommendation An apt title for a movie whose main energy is always at a thousand percent, The Furious feels like the second coming of Christ if you are a martial arts flick kind of guy. Ever since the late 90s, Hong Kong action cinema has been around but it has lacked…
By Matthew Moorcroft Strong Recommendation Launching you straight into a conspiracy thriller where the ultimate question is less about what the conspiracy and more about the aftershocks, Disclosure Day is Spielberg, in some ways, returning to old ground. This isn’t his first rodeo with aliens, let alone ones where the entire premise is built on…
By Matthew Moorcroft Strong Recommendation When it comes to Boots Riley as a filmmaker, you both know what you are getting yourself into while also have no idea what to expect. The prolific artist who has run the gambit from hip hop to film to political activism has a unique voice that, try as people…
By Matthew Moorcroft Highest Recommendation In a year where horror has proven to be dominated the young, the youngest may have saved the best for last with Backrooms. At only 19 years old, Kane Parsons is a newcomer who has been given the once in a lifetime opportunity to adapt his own work to the…
By Matthew Moorcroft Unsure Smushed between two major horror releases as well as a major blockbuster release, Passenger would feel doomed if it wasn’t for it’s viral (and genuinely impressive) theater only teaser from several months ago that made audiences squirm and jump in their seats. It’s a testament to the power of marketing that…
By Matthew Moorcroft No Recommendation The fact this doesn’t even have the “A long time ago, in a galaxy far, far away…” intro card should be red flag number one. It’s impossible for me to be rational with Star Wars. Most other franchises I can keep myself at least at an arm’s distance and be…
By Matthew Moorcroft Highest Recommendation When you have nobody else, it becomes difficult to feel anything else other then rage at the rest of the world. Thus is the life of the twins Racine and Anaia, two women whose bodies are permanently scarred and burned due to an abusive father who set their own mother…
By Matthew Moorcroft Strong Recommendation Don’t let it’s poor marketing and Mad Libs style premise fool you – The Sheep Detectives is the kind of family film that one wishes we still got on a regular basis. Mixing the modern whodunnit stylings of Knives Out with the tone and whismy of Babe, and also a…
By Matthew Moorcroft Highest Recommendation Feeling like something of a minor miracle in theaters, Obsession is yet another of the many horror films of the past several years brought to us by online talent turned professional filmmaker. It’s becoming increasingly clear at this point that, with the advent of the digital space, the next big…
By Matthew Moorcroft Weak Recommendation Once again, I am probably being far too kind to this. I don’t think anybody is under the assumption that Mortal Kombat II is going to be some level of high art. It is, after all, a movie where two of it’s major players is a woman whose weapon of…
By Matthew Moorcroft Strong Recommendation As early as five minutes in, Hokum is already going for the jugular. To some, jump scares are an easy tactic, but to somebody like Damian McCarthy it’s clear that it can also be an artform in itself; a sudden release of tension and fright that comes at just the…
By Matthew Moorcroft Strong Recommendation Playing into the metaphysical and poetic, Mother Mary is exactly the kind of film that you would expect David Lowery to make. At his core, Lowery is a filmmaker that plays into emotion and vibes first and foremost, with all of his films carrying a level of painterly like ambiguity…
By Matthew Moorcroft Solid Recommendation Almost as nasty as an actual decaying corpse, Lee Cronin’s The Mummy, which is indeed the full title, revels in it’s gruesome horror. Less overtly scary and more focused on being as disgusting and gross as you can imagine, it follows in the footsteps of the titular director’s past work…
By Matthew Moorcroft Strong Recommendation Ever hear somebody say something so shocking and unexpected you can just hear a pin drop and literally feel the air being sucked out of the room? That’s the entire impetus of The Drama, which finds the marriage between Emma and Charlie threatened just days before it’s supposed to happen.…
By Matthew Moorcroft Unsure Seemingly designed from the ground up to be as frenetic and as fast moving as possible to keep the attention of even the smallest of hyperactive children (or hyperactive, chronically online adults), The Super Mario Galaxy Movie is only barely just that. A barrage of loud noise, colors, and action sequences,…
By Matthew Moorcroft Highest Recommendation The Earth is dying. Something is dimming the sun, and we only have 30 years to really prevent it or things are going to get bad really fast. Project Hail Mary, as a film, isn’t about climate change but it certainly feels like it in some ways; a film about…
By Matthew Moorcroft Unsure Bursting onto the frame with a loud, overwhelming jolt to the senses not unsimiliar to the very lightning bolt that brought Frankenstein’s monster to life years and years ago, The Bride! is almost as unwieldy and impossible to quantify as said monster as well. It’s the stitched together, falling apart at…
By Matthew Moorcroft Weak Recommendation One of the canon rules of horror is that usually what you don’t see is scarier then what you do see. Undertone, with it’s focus on auditory horror and a sole lead actor on screen for the entire runtime, feels like the ultimate test of that canon rule. With almost…
By Matthew Moorcroft Highest Recommendation It doesn’t take long to realize that Hoppers is the real deal from Pixar. Probably the studio that has struggled the most post-pandemic, small success stories like Elemental and big blockbuster hits like Inside Out 2 have managed to keep them in the conversation as their major projects, regardless of…
By Matthew Moorcroft Strong Recommendation Maybe one of the few working directors who can actually earn the “from the twisted mind” phrase in his marketing, Gore Verbinski returns after a 9 year hiatus after audience soundly rejected the wildly underrated – and exceptionally bizarre – A Cure for Wellness and sent Verbinski into director’s jail.…
By Matthew Moorcroft Strong Recommendation Made on a small budget of $3 million or less, Iron Lung is something of a minor miracle in the fact that it’s even good in the first place. Mark Fischbach – better known as Markiplier both online and to his fans – isn’t necessarily a newcomer to horror or…
By Matthew Moorcroft Strong Recommendation It’s been a long time since a full blown, true Sam Raimi flick hasn’t there? Sure, he’s made a couple of blockbusters like the scattershot if entertaining Oz the Great and Powerful and the wildly misunderstood Doctor Strange in the Multiverse of Madness, but when it comes to the horror…
By Matthew Moorcroft Solid Recommendation As animated films go, Arco is as animated as they come. Quite literally, in fact, as the rainbow colors that adorn it’s title character leap off the screen and feel simply just made for the animated medium. You simply just can’t tell a story like this in live action, and…
By Matthew Moorcroft Highest Recommendation In some ways a return to form for acclaimed indie filmmaker Chloe Zhao in terms of subject matter, Hamnet is positioned on the surface as a much deserved victory lap film after her Best Picture winning Nomadland swept audiences away and her divisive MCU flick Eternals confused those same audiences…
By Matthew Moorcroft Highest Recommendation Arguably the first movie to have Toronto be a main character in it’s own right, Nirvanna the Band the Show the Movie begins with a stunt so ludicrous and insane that you would think that they would save it for later on in the film as the big show stopper…
By Matthew Moorcroft Solid Recommendation The second film adaptation of the Japanese novel, All You Need is Kill is in a strange scenario that doesn’t happen often in the medium – specifically that of the American version being the first one out of the gate. Having previously been adapted as the great Tom Cruise vehicle…
By Matthew Moorcroft Solid Recommendation Primate is one of those movies that tells you everything you need to know about it basically right away before you even see it. A pet chimpanzee, named Ben, has gone rabid (quite literally, actually) and his loving family is now the target of his aggression. And if you know…
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